Jennifer Lopez Glamour Magazine South Africa Jennifer Lopez Photoshoot for Glamour Magazine South Africa Jennifer Lopez on Glamour Magazine South Africa January/February 2020 Jennifer Lopez Glamour Magazine South Africa Photoshoot Download

Jennifer Lopez F Magazine January 2020

Jennifer Lopez on Women’s Health Magazine Poland cover November 2019

Jennifer Lopez in People Magazine Cover December 2019

 Jennifer Lopez on Glamour Magazine South Africa January 2020

 As a movie star, global pop sensation, and an internet-melting fashion icon, nobody owned 2019 like Jennifer Lopez.

Download Here

the high powered hustle of Jennifer Lopez First of all, Jennifer Lopez’s apartment looks exactly as you’d imagine: a penthouse in the sky, replete with tasteful floral arrangements, flickering Le Labo candles, and sofas in shades of ecru, cream, and white that, while cosy, appear remarkably unsullied by the debris of human life. The most surprising thing about the place is its location: it’s in the middle of a busy part of New York, and yet, at the same time, it’s private. Looking out from her terrace, you can see thousands of people bustling about, but no one can see you. This was where Jennifer was sitting on a recent Sunday. She’d just finished working out – because of course she had – and was sipping a cappuccino in makeup-less splendour.  I must’ve made a sound like NOT HER FACE, MOTHERFUCKER because Jennifer said, “It’s just a bee,” and waved it away. Because, of course. She can handle a bee. She’s Jennifer Lopez. When Jennifer first signed on to produce and star in Hustlers, a movie inspired by an article I wrote for New York magazine, I was as familiar with her work as anyone else on planet Earth. Which is to say, I was familiar with it in the way that I was familiar with, say, air. Movies like The Wedding Planner and songs like ‘Waiting for Tonight’ were things I’d ingested and enjoyed my entire life and essentially considered a basic human right. But it’s fair to say that I didn’t fully appreciate Jennifer’s work – as in, the extraordinary amount of labour she puts into making these works of art and It was like watching Carmen Sandiego or something. Every time I opened my emails, she was somewhere, doing something. For Hustlers, in which she plays Ramona, a tough-as-nails, career-stripperturned-criminal, Jennifer learned to pole dance, enduring numerous bruises to her thighs to deliver what will go down as the most iconic pole-dancing scene in cinematic history. After the movie was shot, she took off on her ‘It’s My Party’ tour, singing and dancing and jumping out of cakes for sold-out audiences. At one point, I saw a photo of her hanging from a giant sparkling ring on stage, which reminded me that sometime before she’d also gotten engaged to Alex Rodriguez. Then, during winter, she turned 50, a milestone she celebrated as one should – with a massive blowout at Gloria Estefan’s house in Miami. Then, a week after Hustlers came out in September, while the entire internet was demanding she be given an Oscar right now, she created a wholly new iconic moment, at Donatella Versace’s show in Milan, when she appeared in an updated version of the green dress that broke the internet the last time she wore it, nearly 20 years ago. Then she popped back to New York to start work with Owen Wilson and Maluma on Marry Me. Given the year she’s had – which will spill into next year, with awards season and her Super Bowl performance with Shakira just around the corner – it’s tempting to frame this as a moment. A Lopez aissance, if you will. But is it?

DIVIDE & CONQUER
Who wears the trousers? That was the perennial and political question thrown up at the 51st Wimbledon Championship in 1931 when Elsa Schiaparelli dressed tennis champion Lili Alvarez in a pair of culottes. The bold choice ignited the press, which condemned Alvarez and set the tone for the divisive reception of the pants. Dating back to the 1500s, when they were the exclusive domain of French aristocratic men, it wasn’t until the Victorian era that the ‘divided skirt’ became available to everyone. To resolve the quandary of riding bicycles and horses, women too adopted the silhouette, thereby associating culottes with liberty, practicality and style. “With origins rooted in menswear, [culottes] are an empowering piece, focussing on what they feel like wearing, rather than how others will respond to them,” says Sohyun Joo, US head buyer of curated e-store W Concept, where customers have been reintroduced to the style in linen, leather and denim varieties. “[Though culottes exude] a mood that maintains professionalism, these pants are much more versatile and provide  many more styling options than the tailored suit-pants,” Sohyun adds. Margaret Howell, Acne Studios and Michael Kors reified this versatility in their respective collections. The pant’s mutability was shown o – each brand interpreted the silhouette with cus, pleats and paper-bag waists. As Sohyun says: “With the wide-pants trend dominating throughout the past several seasons, culottes have entered more aggressively than ever as its seasonal sister.” For proof, turn to Paris, where culottes were solidified into the bedrock of Hedi Slimane’s new guard at Celine. Versions were worn on the runway in pleated houndstooth, chevron wool, autumnal tartans and denim emphasised utility. At Dior, Maria Grazia Chiuri extended their application, pairing culottes in versized plaid patterns with fitted blazers to defamiliarise traditional feminine shapes.